The Leacock
Medal honours Canadian humour and humour writing, and Mercer, as one of the country’s
better-known personalities, looms large as a source of smiles and laughs for many
people across Canada.
But someone who
did not know him could read his medal-winning book and see it as a work that
was not all that humorous. It doesn’t
contain many joke-like passages or episodes of glaring comedy. It is, as promoted, a genuine effort to
recount the events and experience in the author’s life that led him to becoming
the person we know. That is the roving
rant machine and small-town celebrator who anchored CBC’s Rick Mercer Report for
close to 14 years. The book ends on the
threshold of this part of his career, leaving the door open to a likely sequel
and keeping the focus of the formative prelude era.
Mercer tells his
story with emphasis on the happier moments and has lighter takes on the more
challenging events that shaped him, and he does this in the smile-inducing, tongue-in-cheek
raging mode that is his iconic style.
Mercer also recalls
the detail around his humour-laden work on the This Hour has 22 Minutes, the
weekly comedy show that first brought his personality to the national stage. But
when he does this, it is in a more nuts and bolts, matter of fact, or process-centred
way.
Overall, it
could be read as a largely serious story by those who know little of the author.
Yet, for those
of us who know Mercer well, it’s hard to read this book without smiling.
Like most
written works, the humour flows at the confluence of the text, the author’s
intent, and the reader’s receptors. With
written humour, we smile not because what's on the page or even in a joke alone,
but because of the images, thoughts, and recollections that are
stimulated, congeal in our minds, and induce
a laugh or smile. And most of us reading
Talking to Canadians think, as we flip the pages, about the TV Rick Mercer,
how he makes us feel and how his work on TV and the stage has made us laugh over
the years. So, when he recounts the
mechanics of specific projects, such as
the time he cajoled MPs to sing Raise a Little Hell in a campaign to encourage young people to
vote or the TV special Talking with Americans, we recall the people, the
images, and the commentary. And, that's
what makes us smile.
So, it is the mix of memories as much as the memoir that makes me smile and creates the humour of this book.
You can see the
pieces coming together when his struggles in school and his small-town Bay boy
efforts to fit into St. John’s resolve in the embrace of a theatre group at Prince
of Wales Collegiate. It’s also evident
as his sexual identity and emergence as a gay man finds a love and life-long
partnership that intertwined with his profession. I think Mercer fans can leave the book feeling
they know him a bit better, being reminded of the things that he's done in his
life, and understanding the factors that came together to make that accomplishment.
So, Mercer’s
memoir has its own kind of humour, it tells a story that pulls you along, and
it is a bit revealing and informative.
All good reasons
to advance it for a literary award. But to my mind, the quality that pushes it
over the top into Leacock Medal worthy territory is the pervasive and ever-present
love for Canada and the people who populate it.
The sum of the
book’s qualities linked to images of Mercer’s work and personality were on full
display in his Leacock Medal acceptance speech in September 2022. With a
story of dentistry and a pigeon’s wing wrapped up in interactions with
typical Canadians, Mercer gave most audience members the best reason for
laughing since the pandemic broke out in 2020.
So even though I
can still say it's not as poignant as one book and not as obviously funny as
another, I’d believe Rick Mercer’s Talking to Canadians more than deserves
the Leacock Medal for 2022.